enough already.

I listen to the radio a lot now that I’m home: in the car, while I’m at work, and in my room. I never listened to it when I was at school because I had iTunes, and frankly, the station selection in Poughkeepsie left a lot to be desired. I now realize I was better off not listening to the radio because the selection is terrible and they play the same 10 songs over and over again. Here are songs I would like to ban from further radio rotation:

Black Eyed Peas, “Boom Boom Pow”: This is the number one song on the Billboard charts, so that explains why I hear it even on adult contemporary stations. I hated this song when it first came out, then I warmed up and enjoyed it on my Saturday night jaunts to the bar, but now I’ve come full circle and loathe its very existence. When Fergie starts to scream the bridge, (“People in the place/If you wanna get down,” etc.) my ears start to ring and just want to curl up in a ball until it’s over.

Shinedown, “Second Chance”: I hate everything about this song, from its stupid music video with the runaway ballerina to the insipid lyrics. No, you did not just see Halley’s Comet, so stop trying to tell me you did. I can already tell this song will soon be making it onto grocery store playlists, and once you’re heard in the frozen food aisle at Stop and Shop, you lose all credibility.

Beyonce, “Halo”: My qualm with this song isn’t so much the fact that it’s overplayed, but the repetition of the word ‘halo.’ Beyonce says it 69 times throughout the song’s duration, (yes, I counted) and after about the 20th ‘halo,’ I’m driving off the road because I can’t focus on anything else but Mrs. Jay-Z’s favorite two-syllable word.

3OH!3, “Don’t Trust Me”: This song was cute and quirky when it first came out, and even I was singing along to “Shoosh girl, shut your lips/Do the Hellen Keller and talk with your hips,” but the novelty wore off quickly. I understand the quirky appeal of both the band and the song, but quirk can only carry you so far in this music industry. Gimmicky music like this makes me crazy.

The Fray, “You Found Me”: I enjoy the Fray, I really do. I have their first CD and it’s gotten a lot of play on my iPod, but this song is just so treacly and melodramatic. It’s been used in every show from Lost to The Real World, so hearing it ad nauseum on the radio is just overkill. Not to mention it’s interchangeable with about 80% of the Fray’s other songs.

Britney Spears, “If You Seek Amy”: I’ve had . I love almost every track off Circus, except this one, so I was prepared to grit my teeth and suffer through the incessant replays of this song. The tongue-in-cheek hilarity of the song’s title is made even worse by radio edits, which change the titular lyric to “If you see Amy.” As unexcited as I am about Britney’s next single, the Blackout-recycled “Radar,” I’d much prefer 2007’s leftovers to this ridiculous hot mess of a song.

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‘so you think you can dance’ recap: top 18

Last night’s show was rough. Some of last week’s top performers were not good, and most of the routines were just so-so. Other highlights of the show included Cat Deeley wearing a human-sized ruffled pillowcase, and the dancers revealing “secrets” about their partners.

Evan and Randi: We learned that Evan likes to build cars and that Randi’s dog is like her child. Yawn. I enjoyed their jive upon first watch because the two of them can sell a routine like no other, but after watching it a second time, I noticed all of the things the judges pointed out. I doubt many viewers, aside from those who are trained ballroom dancers, noticed the errors because Randi and Evan are truly fun to watch. (Oops…I tried so hard not to say “fun” in my recap.)

Ade and Melissa: We learned that Melissa and her sister are married to brothers, and that Ade’s full name is Adetokunbo Isaac Kayode Obayomi. Again, not very exciting. Moving on to the dancing…I have never been able to get behind Sonya Tayeh’s choreography, probably because I just don’t understand it, but I do know that these two performed it well last night. Melissa is a walking example of the idea that having a strong foundation in ballet translates well across all dance genres, and Ade is just great at anything he does.

Jason and Caitlin: Jason’s big secret is that he used to do Michael Jackson impressions as a child, and aside from the tragic mullet he sported, I wasn’t exactly falling off my couch in shock by this revelation. Caitlin’s secret is that she talks in baby voices and does a velociraptor imitation that annoys Jason. Come on, dancers, where’s the dirt? I want to be shocked and amazed! One thing that did not shock or amaze me was Shane Sparks’ hip-hop choreography for these two. It’s hard to make a great performance out of lackluster moves. Jason was much better than Caitlin, and even though you could tell she was trying, it was nowhere near as enjoyable as their week one Bollywood routine.

Brandon and Janette: Janette used to have busted teeth, (her orthodontist must have specialized in miracles) and incredibly ripped Brandon says he has never set foot in a gym. The clueless preteens in the audience audibly gasped at this revelation, but then again, saying the words “Jonas” or “Brothers” could send them all into catatonic fits. It’s called a dancer’s body, people! I always thought disco was simply a music genre until SYTYCD proved me wrong. Doriana Sanchez (who may or may not be made entirely out of plastic) choreographed possibly the fastest disco routine to grace a dance floor, but that didn’t hinder Janette and Brandon. I thought Janette’s facial mugging was a bit distracting, but I come from the school of “less is more” when it comes to facial expressions.

Vitolio and Asukah: I cannot for the life of me remember what their secrets were, so that shows you they probably weren’t very exciting. Their waltz is one of those dances where the emotional back story far outweighs any technical mishaps (see: Kherington and Twitch’s Viennese waltz from last season). Inspired by Vitolio’s plight as an orphan, Louis van Amstel crafted a beautiful waltz that wasn’t technically stunning, but it was emotional and they definitely connected more with the piece than they did with last week’s Broadway disaster.

Max and Kayla: Max is called a “housewife” by his fellow dancers because he likes to cook, and Kayla likes to text. Wow…an 18-year-old girl likes to text. Who would have seen that coming? Having been a teenager during the glory days of pop in the early 2000s, I was extremely familiar with Brian Friedman’s choreographic resume (Britney Spears, ‘NSync, P!nk, etc.). I was very happy to see him return to SYTYCD after a brief absence. Kayla and Max perfectly captured his pop-jazz routine, and I have to say, this week, I watched Max more than Kayla. Yes, Kayla is good, but I don’t really get all the hype from the judges. All I noted about her dancing last night is that she’s what I like to call a “fish face dancer,” meaning she dances with her mouth hanging open in a very unattractive way.

Jonathan and Karla: We learned that Jonathan (who my sister pointed out is a David Archuleta lookalike,) is tone deaf but sings all the time and that Karla, despite being labeled by Fox as a contemporary dancer, is actually a member of hip-hop crew Boogie Bots, as seen on season two of America’s Best Dance Crew. Ballroom dancing and ballet/lyrical/contemporary are both very technical genres, but each has its own specific technique. I was very surprised to see that ballroom dancer Jonathan was able to effortlessly slip into the contemporary technique, and I think he matched contemporary dancer Karla’s skill level.

Philip and Jeanine: We learned that Philip is a science nerd and has close to 40 reptiles in his room. We also learned that Jeanine has a teddy bear named Spanky that she dresses in coordinating clothes and claims is “better than a boyfriend.” What a perfect match: science nerd with a reptile fixation and crazy girl in love with a bear. “Hot mess” is the only thing that comes to mind when I think of their routine last night. Philip’s lack of technical training was glaringly obvious while attempting the tango, and Jeanine, probably sensing this, seemed to be working twice as hard to sell it. It was painfully awkward to watch.

Kupono and Ashley: We learned that Kupono is OCD to the point of irritation, (explains his lists) and that Ashley projectile vomited on her first-grade classmates. Really Ashley? That’s what you choose to tell America about you? Nothing else about you is as remarkable as the fact that you spewed barf before Show and Tell? Okay then…This was another Shane Sparks routine that I didn’t really like. Nigel claimed it was the dancers, but I think the source of the problem is Mr. Sparks himself. Two bad routines in one show points to the creator of said routines. Ashley was much better than Kupono. There were moments where she was hitting the choreography just right, and I just wanted to shake Kupono and say, “Can’t you synchronize yourself with her for one 8-count? Please?”

Predictions: It’s hard for me to pick three couples this week, because the ones who slipped are frontrunners/favorites. I can’t tell if America is going to vote based on who they like vs. who danced the best. (I only vote during the finale…I have better things to do with my time than repeatedly press redial for two hours after the show.) If I had to predict, I would say Asukah and Vitolio are going to be in the bottom, simply because neither of them has really connected with the audience. Ashley and Kupono could also see themselves dancing for their lives, and I think a third couple could be Philip and Jeanine. Based on the bottom three I chose, I think Asukah and Vitolio could be going home.

Tune in to Fox tonight at 9 p.m. EST to see who will be packing up their dance shoes.

seriously, get a grip.

I do not like Twilight. I read the book and I thought it was one of the worst books I’ve ever read, and that’s saying a lot because I’ve read hundreds of books in the 21 years I’ve been alive. My hatred of the book has prevented me from sitting through the torture that is the Twilight movie adaptation, and I’m thankful for this because a) Robert Pattinson is not attractive and b) I’ve seen paper bags that can emote better than Kristen Stewart. Not to mention the thought of sitting in a theater with a bunch of screaming fanatics makes me feel ill.

Unless you’ve been living under a rock or you don’t care about creepy vampires who sparkle in the sunlight, (I wish I was making that up) the first movie was so successful that the second book’s adaptation, New Moon, is coming to theaters in November. The trailer was released recently, to the delight of fans everywhere, and some fans even videotaped themselves watching the trailer and subsequently posted it on YouTube. Why someone would want to post a video in a public forum of them acting like a complete fool is beyond me, but below is a montage of some of the best reactions.

‘so you think you can dance’ recap: top 20

Last night was the first performance show of season 5 of So You Think You Can Dance, which has easily overshadowed its reality TV cousin American Idol in showcasing talent and keeping viewers (namely, me) interested. The first week can often be shaky as dancers adjust to their partners and the show’s format, but this season’s top 20 proved otherwise. Here’s my take on the ten performances.

Philip and Jeanine: Freaky popper meets unknown contemporary dancer. I think Philip lucked out by getting hip-hop his first week, and despite Jeanine’s lack of hip-hop training, she really kept up with him during Tabitha and Napoleon’s routine. I wouldn’t rank it among SYTYCD’s most memorable dances, but it was good.

Vitolio and Asukah: This was the one routine that really missed the mark throughout the 2-hour show. Both dancers focused way too much on their technique instead of really embodying the characters of Tyce Diorio’s Broadway number. Technically, the dancing was great, but it was lacking the personality that was so desperately needed to turn the choreography into a true performance.

Jonathan and Karla: A cha-cha to Lady Gaga’s “Poker Face” sounds terrible, but these two made it work. I expected Jonathan, a ballroom dancer, to do well, but Karla’s skill was surprising given her contemporary background.

Evan and Randi: Another Tyce Diorio routine, this time jazz, and this time executed much better than his previous piece. It was very obvious tonight that Evan’s dancing skills go far beyond his Broadway stylings. Randi (formerly known as Unitard Girl,) was wonderful too, and the whole dance was fluid and beautiful.

Tony and Paris: Another weak routine in an otherwise strong first episode. I liked the choreography (again, Tabitha and Napleon,) but I didn’t like the performance. Something was off. It seemed like both Paris and Tony were trying too hard, which is something that becomes very evident on a show full of natural talent. I agree with Nigel that their costumes were too distracting, but that’s an issue to take up with the costume department, not the dancers.

Jason and Caitlin: The Bollywood style of dance has become a great addition to the show, and all of the numbers thus far have been energetic and sharp, Caitlin and Jason’s included. This is definitely a couple to watch this season. While I don’t think the number was as perfect as the judges claimed it to be, (some sloppy feet and weak arms) it was definitely memorable and great to watch. I’m just glad they didn’t dance to the Pussycat Dolls’ version of “Jai Ho” and stuck with the original instead.

Brandon and Janette: Usually, the mention of a foxtrot makes me want to change the channel, but tonight I actually found it enjoyable to watch. Dancing with the Stars pro Louis van Amstel’s choreography was great, although he was mysteriously absent from the audience while the judges were showering his work with praise.  Brandon may be this season’s most controversial contestant, only because of Mia Michaels’ inexplicable hatred, but I think he’ll be around to have a dance studio showdown with her if he continues to dance as well as he did last night.

Kupono and Ashley: Wade Robson’s routine about crash test dummies falling in love was very strange, but that’s what any regular viewer of SYTYCD has come to expect from him. Both Kupono and Ashley fully embraced their characters and made them believable, something Asukah and Vitolio should have done earlier in the night. The dancing was great, too, but it was hard to focus on the steps when the dancers’ skin was painted white and there were robotic dogs and flying tires onstage.

Ade and Melissa: Having taken ballet for most of my life, it’s only natural that I want to see Melissa do well, since other ballet dancers have short shelf lives on SYTYCD. She may be the oldest contestant at 29, but I don’t think that’s a handicap at all. It seems to be more of an advantage, because while younger dancers were still eating Cap’n Crunch and watching Full House before going to school, Melissa was already five years into her dance training. The contemporary routine, choreographed by Mandy Moore (not the one married to Ryan Adams,) was beautiful and even made judge Adam Shankman tear up.

Max and Kayla: Wow. Talk about ending the night on a high note. Their samba, another Louis van Amstel masterpiece, was phenomenal. I think that ballroom dancer Max was outperformed by Kayla, a contemporary dancer, but as Adam Shankman pointed out, Kayla wouldn’t have looked half as good as she did without the strong partnering that Max provided.

Bottom 3 predictions: I think it’s a safe bet that Paris and Tony will be in the bottom 3 couples, as well as Asukah and Vitolio, but I honestly have no idea who could be joining them. If I absolutely had to choose, I would say Ashley and Kupono, simply because Wade Robson’s number may have been too strange for America to understand. Out of those six dancers, I think that Paris and Vitolio will be going home.

Check out the results show tonight on Fox to see whose dancing days are over.

hannah montana has taken over the world. and my blog, apparently.

I occasionally check my blog stats to see how many views it gets every day, just out of curiosity. I realize my blog has a very small audience outside of my friends and family, (hi Mom!) but it’s nice to know strangers sometimes click their way onto my ramblings.

I couldn’t help but notice that my top post, the one that has gotten the most views, is my post about the “Hoedown Throwdown,” from Hannah Montana the Movie. This post has gotten 123 views, which means 18 percent of the total views my blog has received since its start back in January.

So apparently no one cares to read my comments on pop culture or my musings on the goings-on in my life. Nope, they would rather watch a YouTube video about Miley Cyrus in a blonde wig. I don’t know whether to laugh or cry.

separated at birth?

comparison

I present to you Yukon Cornelius and Red Sox first baseman Kevin Youkilis, who I’m fairly certain came from the same womb.

the best “hangover” you’ll ever have.

Go see The Hangover.  Immediately. Drop whatever you’re doing, get in your car, drive to the nearest movie theater and dish out $10.50 for a ticket. You won’t be sorry.

This is easily the funniest movie I’ve seen in years, and given the lack of creativity in the movie industry, will probably be the funniest movie I’ll see for a while. Jon Lucas and Scott Moore’s script is full of great lines that will surely become repeated to the point of irritation, but most of the credit has to go to the three leading men. Bradley Cooper (Wedding Crashers), Ed Helms (The Office), and Zach Galifianakis (What Happens in Vegas) use their varied comedic talents and improv skills to bring what could otherwise be a script of clunky one-liners to life.

Galifianakis is the film’s breakout star as Alan, the strange man-child who’s only along on the bachelor party trip because his sister is the bride-to-be. Alan’s funniest lines are non-sequiturs that have nothing to do with the scene at hand, but that hint of absurdist comedy stood out among gags like flamboyant Mr. Chow (Ken Jeong) and Stu (Helms) drunkenly marrying a stripper/escort (Heather Graham) who is just a little too good-natured and sweet considering she sells her body for a living. I loved Stu and all of his neurotic, worrisome behaviors, not to mention the fact that he (possible spoiler if you’re that picky…) drunkenly pulls out his own tooth to prove to Phil (Cooper) that he’s a good dentist.

The supporting players are good, too. Justin Bartha (National Treasure) is pleasantly bland as groom-to-be Doug, although Doug is only in about 10 percent of the movie, so they easily could have used a cardboard cutout to save money. I absolutely loved Rachael Harris (pretty much every clip show on VH1 from 2003-2006) as Stu’s overbearing girlfriend, and Jeffrey Tambor (Arrested Development) had a few funny bits as the father of Alan and the bride-to-be.

I could detail the best parts of the plot, but that ruins the fun. The great thing about The Hangover is that you have no idea what to expect, and you’re just as in the dark as the characters are. The humor is way off, so leave your morality and righteousness in the car, but honestly, if you expect morals in this movie, then you clearly didn’t watch the previews very closely.

(Image courtesy of NY Daily News.)


the future freaks me out.

Yesterday marked one week since I graduated from college.  It hasn’t really hit me yet…even though I sat on the campus green in my cap and gown with 989 of my classmates, it still feels surreal. It still feels like I’ll be going back to school in the fall, and that graduation was just a silly little ceremony we did for kicks.

So now I’m living at home and am currently unemployed. Not exactly where I thought I would be post-Marist when I created my 4-year plan as a freshman, but that was in 2005, when the economy wasn’t so scary. I’m actively looking for a job, any job, but it’s scary nonetheless to be a 21-year-old college graduate who can’t even get a job at the mall.